On KanyeWest.com, there is a map of video projections.

In a guerilla media style production, rapper Kanye West released his new song New Slaves, by projecting a video on the side of 66 buildings worldwide. The method of release is what is making the most news but West more explicitly called attention to the “New World Order” in his song. wtfrly

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Source: Pitchfork

Yuna achieved massive success when she won multiple awards at Malaysia’s prestigious AIM Awards in 2009. Since then, Yuna has furthered her career in the US with a record deal under Fader Label and a nomination as one of MTV Iggy’s Best New Bands in the World. Yuna released her self-titled full-length US debut album in April 2012, featuring 13 original tracks produced by some of today’s best music talent amongst whom are award-winning musician Chris Braide (Sia, Lana Del Rey) and creative visionary Pharrell Williams. x-clusive.sg

Purchase “Live Your Life” on iTunes: http://itun.es/iS36mJ
Purchase Decorate (EP) on iTunes: http://itun.es/iS36mJ

http://yunamusic.com/
http://twitter.com/yunamusic
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http://myspace.com/yuna

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Kendrick Lamar turns up at a funeral in the video for “Bitch, Don’t Kill My Vibe,” the latest single off his debut good kid, m.A.A.d city. Dressed in all white, the Compton MC attends a church service. But the somber mood quickly turns celebratory when he gets in the limo, popping champagne with his friends as they head to the hills.

Comedian Mike Epps baptizes K-Dot in liquor and they strike funny poses in front of a white casket. But we’re unsure whose funeral it is until the end when the words “Death to Molly” are displayed on the screen. Rap-up

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“So Thankful For These Two Beautiful Ladies.We Created A Monster on this Album.. Missy is Going STUPID HARD ON THIS 1!!! OMG!!! Kells VOCALS On Here!! Cra!! Thanks to my BABIES,” Fantasia tweeted, praising the two artists. With their team-up track, the three empowering stars give their female listeners a new opportunity to remind their men as to where they would be without their ladies.  Aceshowbiz

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Plot provided by yourblackworld.net and the publisher Dr. Boyce Watkins. Dr. Watkins is the commercial’s biggest opponent. Read what he had to say about it.

by Dr. Boyce Watkins

If you’ve never heard of Felicia the Goat, you’ll know about her soon.  Felicia the Goat is the main character in a recent Mountain Dew commercial, created in part by Tyler the Creator.  The video shows Felicia in a line up of criminal suspects, all of whom may be charged with a crime.

Of course, in the world of Mountain Dew, every single suspect is black.  Not just regular black people, but the kinds of ratchety negroes you might find in the middle of any hip-hop minstrel show:  Gold teeth, “mean mugging,” sun glasses wearing, white-t sportin, hard core n*ggaz ready to “get into some ol gangsta sh*t.”  Apparently, this is the kind of ad you put out if you want to appeal to the black male demographic.

On the other side of the one-way glass is an innocent, feeble, traumatized white woman, standing next to a detective telling her to “nail this little sucker.” The woman is shaking, wounded and crying in fear over whatever these scary black men have done and might do to her in the future. Black men are scary and violent, that’s been established. There is also another white officer, and a black man standing in the back corner. One side of the glass is mostly criminal, 100% black. The other side of the glass consists of the “good guys,” nearly all of whom are white.

Throughout the video, the woman is trying to decide whether to identify the suspect, and is being threatened by the goat who is telling her that you “betta not snitch on a playa.” He also starts out by saying, in a scruffy voice, “You shoulda gave me some more….I’m nasty.”

As the woman is shaking, crying and trying to decide what to do, the goat says, “Snitches get stitches fool.” After that, he says, “Keep ya mouth shut. When I get outta here, I’m gonna do you up (translation: Probably beat and s-xually assault you again).”

TYLER THE CREATOR RESPONDS TO THE MOUNTAIN DEW RACISM CONTROVERSY

It’s a young black man who got out of the ‘hood and made something of himself, who’s now working with big, white-owned corporations. Not even in front of the camera acting silly, but directing it. I’m trying to be one of the directors. But instead of looking at the positivity from that, he’s trying to boycott Mountain Dew. Now that he’s doing that, not only is it messing up opportunities for me, but also maybe opportunities for another young black male who maybe looks up to me and wants to do that in the future. It’s ludicrous. – Tyler The Creator

His co-manager, Christian Clancy, decided to address the issue and defend his client on his Tumblr page. His post stated in part:

Context may or not help those who are offended and I wholly respect that but for those who are interested I can offer the following and leave the rest to Tyler. 1. This spot was part of an overall admittedly absurd storyline about a crazy goat who becomes obsessed with Mountain Dew 2. The lady in front of the lineup is the waitress from the first spot. 3. The lineup consists of Tylers friends and odd future members who were available that day. (LBoy, Leftbrain, Garret from Trash Talk and Errol) 4. He absolutely never intended to spark a controversy about race. it was simply an again admittedly absurd story that was never meant to be taken seriously. Again we apologize if this was taken out of context and would never trivialize racism, especially now in America where voting and civil rights are being challenged at the highest level. I can however stand firmly by someone I have believed in since we met only because I know him and i know all of this was never his intent.

Source: AllHipHop

Available on iTunes: http://smarturl.it/jmqueen

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Source: Smoking Section

Bishop Nehru feat. Que Hampton – Misruled Order

MISRULED ORDER from Bishop’s debut project NEHRUVIA. Download his debut mixtape here.

Bishop Nehru: Ghostface & MF DOOM Converse Show.

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Source: Kabio Callender

LL COOL J’S Authenic drops May 7th.

Following her debut in Girlfight, Michelle Rodriguez has consistently portrayed tough girl, tomboyish characters (like in Fast & Furious 6) that operate in traditional male fields such as the police force or armed forces, and die during the course of the story. Rodriguez says that she does not mind the typecasting, and in fact, is somewhat responsible for it:

Oh man, I was typecast the minute I did a film called ‘Girlfight’ years ago. That has nothing to do with anything, it just has to do with… you allow yourself to be typecast. If I decided I didn’t want to be typecast tomorrow I’d just go do an indie film where I play some poor girl who goes through some excruciating experience and win myself an award for crying or being raped [breaks into laughter] or playing someone with mental illness. But at the end of the day I’m not in it for the acting. If I were in it for the acting then I would be worried about people not giving me the opportunity to express my vast array of emotions on the screen.

I couldn’t give two shits. I only wanna be someone I respect or someone that I consider interesting or fun. I’m here to entertain people and make a statement about female empowerment and strength and that’s what I’ve done for the last 10 years, and people can call it typecast, but I pigeonholed myself and I put myself in that box for saying no to everything else that came on my plate. Saying no to the girlfriend, saying no to the girl that gets captured, no to this, no to that and eventually I just got left with the strong chick that’s always being killed and there’s nothing wrong with that. – Michelle Rodriguez

Source: Wiki

Below, President Barack Obama looks to White House Correspondent Association President Ed Henry, Chief White House Correspondent for Fox News, as he speaks during the White House Correspondents’ Association Dinner at the Washington Hilton Hotel, Saturday, April 27, 2013, in Washington. (AP Photo/Carolyn Kaster)

TRANSCRIPT:

THE PRESIDENT:  Thank you.  (Applause.)  Thank you, everybody.  (Laughter.)  How do you like my new entrance music?  (Applause.)  Rush Limbaugh warned you about this — second term, baby.  (Laughter and applause.)  We’re changing things around here a little bit.  (Laughter.)

Actually, my advisors were a little worried about the new rap entrance music.  (Laughter.)  They are a little more traditional.  They suggested that I should start with some jokes at my own expense, just take myself down a peg.  I was like, guys, after four and a half years, how many pegs are there left?  (Laughter.)

I want to thank the White House Correspondents.  Ed, you’re doing an outstanding job.  We are grateful for — (applause) — the great work you’ve done.  To all the dignitaries who are here, everybody on the dais — I especially want to say thank you to Ray Odierno, who does outstanding service on behalf of our country, and all our men and women in uniform every single day.  (Applause.)

And of course, our extraordinary First Lady, Michelle Obama.  (Applause.)  Everybody loves Michelle.  (Laughter.)  She’s on the cover of Vogue, high poll numbers.  But don’t worry — I recently got my own magazine cover.  (Laughter.)

Now, look, I get it.  These days, I look in the mirror and I have to admit, I’m not the strapping young Muslim socialist that I used to be.  (Laughter.)  Time passes.  You get a little gray.  (Laughter.)

And yet, even after all this time, I still make rookie mistakes.  Like, I’m out in California, we’re at a fundraiser, we’re having a nice time.  I happen to mention that Kamala Harris is the best-looking attorney general in the country.  (Laughter.)  As you might imagine, I got trouble when I got back home.  (Laughter.)  Who knew Eric Holder was so sensitive?  (Laughter and applause.)

And then there’s the Easter Egg Roll, which is supposed to be just a nice, fun event with the kids.  I go out on the basketball court, took 22 shots — made two of them.  (Laughter.)  That’s right:  two hits, 20 misses.  The executives at NBC asked, “What’s your secret?”  (Laughter and applause.)

So, yes, maybe I have lost a step.  But some things are beyond my control.  For example, this whole controversy about Jaz-Z going to Cuba — it’s unbelievable.  I’ve got 99 problems and now Jay-Z is one.  (Laughter and applause.)  That’s another rap reference, Bill.  (Laughter.)  I’ll let you know.  (Applause.)

Of course, everybody has got plenty of advice.  Maureen Dowd said I could solve all my problems if I were just more like Michael Douglas in “The American President.”  (Laughter.)  And I know Michael is here tonight.  Michael, what’s your secret, man?  (Laughter.)  Could it be that you were an actor in an Aaron Sorkin liberal fantasy?  (Laughter.)  Might that have something to do with it?  (Applause.)  I don’t know.  Check in with me.  Maybe it’s something else.  (Laughter.)

Anyway, I recognize that this job can take a toll on you.  I understand — second term, you need a burst of new energy, try some new things.  And my team and I talked about it.  We were willing to try anything.  So we borrowed one of Michelle’s tricks.  (Laughter and applause.)  I thought this looked pretty good, but no bounce.  (Laughter.)

I want to give a shout-out to our headliner, Conan O’Brien.  (Applause.)  I was just talking to Ed, and I understand that when the Correspondents’ Association was considering Conan for this gig, they were faced with that age-old dilemma:  Do you offer it to him now, or wait for five years and then give it to Jimmy    Fallon?  (Laughter.)  That was a little harsh.  (Laughter.)  I love Conan.

And of course, the White House press corps is here.  I know CNN has taken some knocks lately, but the fact is I admire their commitment to cover all sides of a story, just in case one of them happens to be accurate.  (Laughter and applause.)

Some of my former advisors have switched over to the dark side.  For example, David Axelrod now works for MSNBC, which is a nice change of pace since MSNBC used to work for David Axelrod.  (Laughter.)

The History Channel is not here.  I guess they were embarrassed about the whole Obama-is-a-devil thing.  (Laughter.)  Of course, that never kept Fox News from showing up.  (Laughter.)  They actually thought the comparison was not fair — to Satan.  (Laughter and applause.)

But the problem is, is that the media landscape is changing so rapidly.  You can’t keep up with it.  I mean, I remember when BuzzFeed was just something I did in college around 2:00 a.m.  (Laughter.)  It’s true.  (Laughter.)

Recently, though, I found a new favorite source for political news — these guys are great.  I think everybody here should check it out, they tell it like it is.  It’s called whitehouse.gov.  (Laughter.)  I cannot get enough of it.

The fact is I really do respect the press.  I recognize that the press and I have different jobs to do.  My job is to be President; your job is to keep me humble.  Frankly, I think I’m doing my job better.  (Laughter and applause.)

But part of the problem is everybody is so cynical.  I mean, we’re constantly feeding cynicism, suspicion, conspiracies.  You remember a few months ago, my administration put out a photograph of me going skeet shooting at Camp David?  You remember that?  And quite a number of people insisted that this had been photoshopped.  But tonight I have something to confess:  You were right.  Guys, can we show them the actual photo?  (Laughter.)  We were just trying to tone it down a little bit.  (Laughter.)  That was an awesome day.  (Laughter.)

There are other new players in the media landscape as well, like super PACs.  Did you know that Sheldon Adelson spent $100 million of his own money last year on negative ads?  You’ve got to really dislike me — (laughter) — to spend that kind of money.  I mean, that’s Oprah money.  (Laughter.)  You could buy an island and call it “Nobama” for that kind of money.  (Laughter.)  Sheldon would have been better off offering me $100 million to drop out of the race.  (Laughter and applause.)  I probably wouldn’t have taken it, but I’d have thought about it.  (Laughter.)  Michelle would have taken it.  (Laughter.)  You think I’m joking?  (Laughter.)

I know Republicans are still sorting out what happened in 2012, but one thing they all agree on is they need to do a better job reaching out to minorities.  And look, call me self-centered, but I can think of one minority they could start with.  (Laughter.)  Hello?  Think of me as a trial run, you know?  (Laughter.)  See how it goes.  (Laughter.)

If they won’t come to me, I will come to them.  Recently, I had dinner — it’s been well publicized — I had dinner with a number of the Republican senators.  And I’ll admit it wasn’t easy.  I proposed a toast — it died in committee.  (Laughter.)

Of course, even after I’ve done all this, some folks still don’t think I spend enough time with Congress.  “Why don’t you get a drink with Mitch McConnell?” they ask.  Really?  (Laughter.)  Why don’t you get a drink with Mitch McConnell?  (Laughter and applause.)  I’m sorry.  I get frustrated sometimes.

I am not giving up.  In fact, I’m taking my charm offensive on the road — a Texas barbeque with Ted Cruz, a Kentucky bluegrass concert with Rand Paul, and a book-burning with Michele Bachmann.  (Laughter and applause.)

My charm offensive has helped me learn some interesting things about what’s going on in Congress — it turns out, absolutely nothing.  (Laughter.)  But the point of my charm offensive is simple:  We need to make progress on some important issues.  Take the sequester.  Republicans fell in love with this thing, and now they can’t stop talking about how much they hate it.  It’s like we’re trapped in a Taylor Swift album.  (Laughter.)

One senator who has reached across the aisle recently is Marco Rubio, but I don’t know about 2016.  I mean, the guy has not even finished a single term in the Senate and he thinks he’s ready to be President.  (Laughter and applause.)  Kids these days.

I, on the other hand, have run my last campaign.  On Thursday, as Ed mentioned, I went to the opening of the Bush Presidential Library in Dallas.  It was a wonderful event, and that inspired me to get started on my own legacy, which will actually begin by building another edifice right next to the Bush Library — can we show that, please?  (Laughter.)

I’m also hard at work on plans for the Obama Library.  And some have suggested that we put it in my birthplace, but I’d rather keep it in the United States.  (Laughter.)  Did anybody not see that joke coming?  (Laughter.)  Show of hands.  Only Gallup?  Maybe Dick Morris?  (Laughter and applause.)

Now, speaking of presidents and their legacies, I want to acknowledge a wonderful friend, Steven Spielberg, and Daniel Day-Lewis, who are here tonight.  (Applause.)  We had a screening of their most recent film, Lincoln, which was an extraordinary film.  I am a little nervous, though, about Steven’s next project.  I saw a behind-the-scenes look on HBO — well, let’s just check it out.  Roll the tape.

(Video is shown.)  (Laughter and applause.)

It’s a remarkable transformation.  Do I really sound like that, though, honey?  (Laughter.)

Groucho Marx once said — and, Senator Cruz, that’s Groucho Marx, not Karl.  That’s the other guy.  (Laughter.)  Groucho Marx once told an audience, “Before I speak, I have something important to say.”  (Laughter.)  And along those same lines, I want to close on a more serious note.

Obviously, there has been no shortage of news to cover over these past few weeks.  And these have been some very hard days for too many of our citizens.  Even as we gather here tonight, our thoughts are not far from the people of Boston and the people of West, Texas.  There are families in the Midwest who are coping with some terrible floods.  So we’ve had some difficult days.

But even when the days seemed darkest, we have seen humanity shine at its brightest.  We’ve seen first responders and National Guardsmen who have dashed into danger, law enforcement officers who lived their oath to serve and to protect, and everyday Americans who are opening their homes and their hearts to perfect strangers.

And we also saw journalists at their best — especially those who took the time to wade upstream through the torrent of digital rumors to chase down leads and verify facts and painstakingly put the pieces together to inform, and to educate, and to tell stories that demanded to be told.

If anyone wonders, for example, whether newspapers are a thing of the past, all you needed to do was to pick up or log on to papers like the Boston Globe.  (Applause.)  When their communities and the wider world needed them most, they were there making sense of events that might at first blush seem beyond our comprehension.  And that’s what great journalism is, and that’s what great journalists do.  And that’s why, for example, Pete Williams’ new nickname around the NBC newsroom is “Big Papi.”  (Applause.)

And in these past few weeks, as I’ve gotten a chance to meet many of the first responders and the police officers and volunteers who raced to help when hardship hits, I was reminded, as I’m always reminded when I meet our men and women in uniform, whether they’re in war theater, or here back home, or at Walter Reed in Bethesda — I’m reminded that all these folks, they don’t do it to be honored, they don’t do it to be celebrated.  They do it because they love their families and they love their neighborhoods and they love their country.

And so, these men and women should inspire all of us in this room to live up to those same standards; to be worthy of their trust; to do our jobs with the same fidelity, and the same integrity, and the same sense of purpose, and the same love of country.  Because if we’re only focused on profits or ratings or polls, then we’re contributing to the cynicism that so many people feel right now.  (Applause.)

And so, those of us in this room tonight, we are incredibly lucky.  And the fact is, we can do better — all of us.  Those of us in public office, those of us in the press, those who produce entertainment for our kids, those with power, those with influence — all of us, including myself, we can strive to value those things that I suspect led most of us to do the work that we do in the first place — because we believed in something that was true, and we believed in service, and the idea that we can have a lasting, positive impact on the lives of the people around us.

And that’s our obligation.  That’s a task we should gladly embrace on behalf of all of those folks who are counting on us; on behalf of this country that’s given us so much.

So thank you all, to the White House Correspondents for the great work you do.  God bless you all.  May God bless the United States of America.

END 10:36 P.M. EDT

Watch: President Obama’s remarks at the 2013 White House Correspondents Dinner

Source: Wall Street Journal